A Tribute to Mae Murray
Mae Murray was called the “girl with the bee-stung lips.” She was a popular star of early films, yet she is largely forgotten today.
Director Erich
Von Stroheim’s The Merry Widow (1925) is the film in which Mae Murray is best
remembered, but it was not typical of most of her work.
A former showgirl and artists’ model, Mae Murray was born in
Portsmouth, Virginia on May 10, 1889, with the name of Marie Adrienne Koenig.
Little is known about Mae’s childhood, but by her teenage
years she was already in New York. She made her professional debut singing
“Comin’ Through the Rye” as Vernon Castle’s partner in 1906 on Broadway in
“About Town” and soon appeared in the 1908, 1909, and 1915 Ziegfeld Follies as
a featured dancer.
Mae Murray’s beauty transcended the early years of screen
imagery in the teens, a style that reflected the Victorian era’s girl-next
door, virginal purity. Mae quickly remade her image in The Roaring Twenties
style of hair designs and makeup. Her famous bee stung lips were the vogue in
the 1920’s.
Mae starred in 44 films from 1916- 1931. Her early image
changed from wholesome virtuous vamps as illustrated by some of the titles of
her films: Sweet Kitty Bellairs (1916), The Dream Girl (1916), The Plow Girl
(1916), and A Mormon Maid (1917). The titles of some of her jazz-age films were
Modern Love (1918), The ABC of Love (1919), The Delicious Little Devil (1919),
with a young Rudolph Valentino as her love interest and Peacock Alley (1922).
Fascination (1922) kept Mae well-suited in a parade of
splendid gowns, loaded with flaming youth, bee stung lips, and Prohibition
defiance. However, “The Dance of the Bulls” stirred up heated controversy and
was criticized by many for the suggestive movements deployed by Mae.
Many critics today would acknowledge that Mae was not a great actress, and by the coming of sound she was reduced to working in a poverty row production of Peacock Alley (1930). Mae also appeared in two talkies in 1931, “High Stakes” and “Bachelor Apartment.”
Mae’s best performance was in The Merry Widow (1925), and it
was because Erich Von Stroheim
pounded out of Mae a performance of depth and sincerity.
Mae’s marriage to Prince Mdivani, a Georgian prince of
dubious ancestry, ended and she lost custody of her son. She was forced into
bankruptcy and barely survived the next two decades. In her later years a sort
of dementia seemed to overcome her. Mae spent her last days in The Motion
Picture Country Home in Woodland
Hills, California. Mae died on March 23, 1965. She was 75 years old.
Thank you Silent, for your wonderful tribute and beautiful pictures, of Mae Murray. She certainly had a troubled private life..
ReplyDeleteThank you Dawn, for your comment. I'm glad you liked my tribute to Mae Murray. She wasn't a great actress, but her fans adored her. It's sad that Mae lost custody of her son when she divorced her husband and she suffered from dementia in her senior years.
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